Search results for 'Leo Asemota'

As Leo Asemota left the performance space, the suspense and tension remained in the air for what felt like hours. Suddenly a brave few audience members broke that suspense and interacted with the piece, causing every voyeur in the room to become a physical part of the performance. Photo credit Joshua Bradwell.
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As Leo Asemota left the performance space, the suspense and tension remained in the air for what felt like hours. Suddenly a brave few audience members broke that suspense and interacted with the piece, causing every voyeur in the room to become a physical part of the performance. Photo credit Joshua Bradwell.
ZoomInfo
As Leo Asemota left the performance space, the suspense and tension remained in the air for what felt like hours. Suddenly a brave few audience members broke that suspense and interacted with the piece, causing every voyeur in the room to become a physical part of the performance. Photo credit Joshua Bradwell.
ZoomInfo
As Leo Asemota left the performance space, the suspense and tension remained in the air for what felt like hours. Suddenly a brave few audience members broke that suspense and interacted with the piece, causing every voyeur in the room to become a physical part of the performance. Photo credit Joshua Bradwell.
ZoomInfo
As Leo Asemota left the performance space, the suspense and tension remained in the air for what felt like hours. Suddenly a brave few audience members broke that suspense and interacted with the piece, causing every voyeur in the room to become a physical part of the performance. Photo credit Joshua Bradwell.
ZoomInfo
As Leo Asemota left the performance space, the suspense and tension remained in the air for what felt like hours. Suddenly a brave few audience members broke that suspense and interacted with the piece, causing every voyeur in the room to become a physical part of the performance. Photo credit Joshua Bradwell.
ZoomInfo

As Leo Asemota left the performance space, the suspense and tension remained in the air for what felt like hours. Suddenly a brave few audience members broke that suspense and interacted with the piece, causing every voyeur in the room to become a physical part of the performance.

Photo credit Joshua Bradwell.

6the tanks, undercurrent, leo asemota, count off for eo ipso, performance, video, audio visual, audience, audience art, audience participation, art, artist,

B9 months ago
p2 Notes
Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful. Photo credit Joshua Bradwell.
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Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful. Photo credit Joshua Bradwell.
ZoomInfo
Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful. Photo credit Joshua Bradwell.
ZoomInfo
Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful. Photo credit Joshua Bradwell.
ZoomInfo
Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful. Photo credit Joshua Bradwell.
ZoomInfo
Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful. Photo credit Joshua Bradwell.
ZoomInfo
Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful. Photo credit Joshua Bradwell.
ZoomInfo
Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful. Photo credit Joshua Bradwell.
ZoomInfo

Leo Asemota’s performance was full of suspense, and the juxtaposition of an eerie, ominous opening speech to a stark silent display was very powerful.

Photo credit Joshua Bradwell.

6the tanks, undercurrent, tate, Leo Asemota, count off for eo ipso, art, performance, film, video, moving image, objects,

B9 months ago
p2 Notes
Preparation is a rapid process to get this audio-visual piece ready. Photo credit Joshua Bradwell.
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Preparation is a rapid process to get this audio-visual piece ready. Photo credit Joshua Bradwell.
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Preparation is a rapid process to get this audio-visual piece ready. Photo credit Joshua Bradwell.
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Preparation is a rapid process to get this audio-visual piece ready. Photo credit Joshua Bradwell.
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Preparation is a rapid process to get this audio-visual piece ready.

Photo credit Joshua Bradwell.

6the tanks, undercurrent, tate, Leo Asemota, count off for eo ipso, art, audio visual, performance, video,

B9 months ago
p1 Notes
The ‘procession’ element of Leo Asemota’s ‘Count Off for Eo Ipso’ took the marchers from St Pauls all the way down to the Tanks. Photo credit Joshua Bradwell.
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The ‘procession’ element of Leo Asemota’s ‘Count Off for Eo Ipso’ took the marchers from St Pauls all the way down to the Tanks. Photo credit Joshua Bradwell.
ZoomInfo
The ‘procession’ element of Leo Asemota’s ‘Count Off for Eo Ipso’ took the marchers from St Pauls all the way down to the Tanks. Photo credit Joshua Bradwell.
ZoomInfo
The ‘procession’ element of Leo Asemota’s ‘Count Off for Eo Ipso’ took the marchers from St Pauls all the way down to the Tanks. Photo credit Joshua Bradwell.
ZoomInfo

The ‘procession’ element of Leo Asemota’s ‘Count Off for Eo Ipso’ took the marchers from St Pauls all the way down to the Tanks.

Photo credit Joshua Bradwell.

6the tanks, undercurrent, leo asemota, count off for eo ipso, performance, procession, march, art,

B9 months ago
p2 Notes
Leo Asemota, Count off for Eo ipso UnderCurrent - Tate Modern in #thetanks  Thursday 23 August 2012, 19.00 – 20.30 Photo credit Joshua Bradwell.
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Leo Asemota, Count off for Eo ipso

UnderCurrent - Tate Modern in #thetanks 
Thursday 23 August 2012, 19.00 – 20.30
Photo credit Joshua Bradwell.

6Leo Asemota, tate collective, the tanks, performance,

B9 months ago
p0 Notes
London Tate Collective members walk through the Southbank as part of Leo Asemota’s Count off for Eo ipso.  Part of UnderCurrent part of The Tanks Art in Action at Tate Modern, Thursday 23rd August 2012 Photo credit Joshua Bradwell.
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London Tate Collective members walk through the Southbank as part of Leo Asemota’s Count off for Eo ipso. 

Part of UnderCurrent part of The Tanks Art in Action at Tate Modern, Thursday 23rd August 2012

Photo credit Joshua Bradwell.

6Leo Asemota, performance, culture, tate collective,

B9 months ago
p0 Notes
Image by Leo Asemota, taken from the workbook he has created for Tate Collective members participating in his UnderCurrent show.  Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
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Image by Leo Asemota, taken from the workbook he has created for Tate Collective members participating in his UnderCurrent show. 

Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.

6Leo Asemota, art, undercurrent, tate, tate tanks, tate modern, tate collectives, flower,

B10 months ago
p6 Notes
Image by Leo Asemota, taken from the workbook he has created for Tate Collective members participating in his UnderCurrent show.  Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
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Camera
Fujifilm FinePix S3500
ISO
100		 Aperture
f/2.8
Exposure
1/60th		 Focal Length
6mm

Image by Leo Asemota, taken from the workbook he has created for Tate Collective members participating in his UnderCurrent show. 

Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.

6Leo Asemota, art, london, tate tanks, tanks, tate modern, tate, tate collectives,

B10 months ago
p0 Notes
Image by Leo Asemota, taken from the workbook he has created for Tate Collective members participating in his UnderCurrent show.  Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
Zoom

Image by Leo Asemota, taken from the workbook he has created for Tate Collective members participating in his UnderCurrent show. 

Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.

6Leo Asemota, tate, tate tanks, tate collectives, undercurrent, art, london, tate modern,

B10 months ago
p0 Notes
Image by Leo Asemota, taken from the workbook he has created for Tate Collective members participating in his UnderCurrent show.  Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
Zoom

Image by Leo Asemota, taken from the workbook he has created for Tate Collective members participating in his UnderCurrent show. 

Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.

6Leo Asemota, art, london, tate, tate modern, tate tanks, tanks, undercurrent, tate collectives,

B10 months ago
p3 Notes
artandritual: Leo AsemotaThe Ens Project - First Principles, 2005 - 2008 Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece“Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
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artandritual:

Leo Asemota
The Ens Project - First Principles, 2005 - 2008

Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece“Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.

Source: artandritual

6Tate, Tate Modern, Tate Tanks, Undercurrent, Leo Asemota,

B10 months ago
p3 Notes
Leo Asemota The Celestial Consonance Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece“Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
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Leo Asemota

The Celestial Consonance

Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece“Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.

Source: artandritual

6Tate, Tate Modern, Tate Tanks, Undercurrent, Leo Asemota,

B10 months ago
p5 Notes
Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
ZoomInfo
Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
ZoomInfo
Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.
ZoomInfo

Leo Asemota will be taking part in UnderCurrent on Thursday the 23rd of August 2012, between 19.00 – 20.30. His music and live performance piece “Count off for Eo ipso” a conjunction of a live artwork and its on-screen replay which involves two acts that occur simultaneously.

6leo asemota, undercurrent, tate, tate modern,

B10 months ago
p0 Notes
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